Digital Camera

• DSLR : Sony α500
• Digital Mirrorless Camera : Fujifilm X100, Sony A7 II
• Digital Compact Camera : Konica-Minolta Dimage G600

Film Camera

• RF / P&S : Minolta Hi-Matic 7s2(sold), Minolta Hi-Matic AF-D, Minolta Hi-Matic F(Black), Contax T3, Contax T2, Konica Bigmini F, Contax T3
• MF SLR : Minolta X-300, X-370, X-700& mps, Minolta XD-11(Black and Silver)
• AF SLR : Minolta dynax 505si-super, dynax 700si, α-707si, α-7

Lenses

• MF : Minolta MD Rokkor 50mm f1.4, MD 50mm f1.4, MD 50mm f1.7, Samsung 70-210 f4-5.6, MD w Rokkor 24mm f2.8
• Minolta AF : Minolta AF 28-80 f3.5-5.6, AF 70-210 f4.5-5.6(silver), AF 50mm f1.4, AF 28mm f2.8, Sigma 105mm EX(Macro) f2.8, AF 24-105mm f3.5-4.5(D), AF 70-210mm f4
• Sony : Sony SAL 16-80 f3.5-4.5 ZA, Sony Sonnar T* FE 35mm f/2.8 ZA(SEL35F28Z), Sony FE 28-70mm f/3.5-5.6 OSS(SEL 2870), Zeiss Batis 25mm f2

Film Scanner

Mustek BearP@w 2400TA+, Epson 1660p, Minolta Dimage Scan Dual IV, Epson 4870p, Nikon Coolscan V ed with Silverfast 8.0 Ai Studio IT8 targeted

B&W Negative Film Development

(ex : Ilford Delta100)

Kodak D-76 1+1 20℃ 11′ / Rodinal 1:50 20℃ 14` -> Kodak Stop Bath 2′ -> Ilford Hypam Fixer 4′ -> Water Rinse (about) 15′ -> Kodak Photo Flo 2′

If you want more development data, visit “The Massive Dev Chart“.

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